Get Apocalyptic Sentimentalism: Love and Fear in U.S. Antebellum PDF

By Kevin Pelletier

ISBN-10: 0820339482

ISBN-13: 9780820339481

ISBN-10: 0820354678

ISBN-13: 9780820354675

In distinction to the present scholarly con-sensus that is familiar with sentimentality to be grounded on a good judgment of affection and sympathy, Apocalyptic Sentimentalism demonstrates that during order for sentimentality to paintings as an antislavery engine, it had to be associated with its seeming opposite—fear, particularly the phobia of God’s wrath. so much antislavery reformers well-known that demands love and sympathy or the illustration of agony slaves wouldn't lead an viewers to “feel correct” or to actively oppose slavery. the specter of God’s apocalyptic vengeance—and the fear that this danger inspired—functioned in the culture of abolitionist sentimentality as an important goad for sympathy and love. Fear,then, was once on the middle of nineteenth-century sentimental innovations for inciting antislavery reform, bolstering love while love faltered, and working as a strong mechanism for developing interracial sympathy. Depictions of God’s apocalyptic vengeance constituted the best method for antislavery writers to generate a feeling of terror of their audience.

concentrating on a variety of vital anti-slavery figures, together with David Walker, Nat Turner, Maria Stewart, Harriet Beecher Stowe, and John Brown, Apocalyptic Sentimentalism illustrates how antislavery discourse labored to redefine violence and vengeance because the final expression (rather than denial) of affection and sympathy. on the sametime, those warnings of apocalyptic retribution enabled antislavery writers to specific, albeit not directly, fantasies of brutal violence opposed to slaveholders. What started as a sentimental technique quick grew to become an incendiary gesture, with antislavery reformers envisioning the full annihilation of slaveholders and defenders of slavery.

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Apocalyptic Sentimentalism: Love and Fear in U.S. Antebellum Literature by Kevin Pelletier


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